Joey Columbus (he/him)
Mr. Columbus began his dance training in the Chicagoland area where he studied with Forum Dance Theatre under the direction of Eddy Ocampo. In May of 2016, he graduated from The Alvin Ailey/Fordham University BFA program where he performed works by Alvin Ailey, Pascal Rioult, Adam Barruch, Robin Mineko Williams, and Jae Man Joo. During the summer months, Mr. Columbus studied on scholarship at The School at Jacob’s Pillow Contemporary Program, Hubbard Street Dance Chicago, and Springboard Dance Montreal. He has worked with choreographers such as Alexander Ekman, Mark Morris, Marguerite Donlon, and Evangelos Poulinas. Upon graduation, Mr. Columbus joined RIOULT Dance NY where he toured domestically and internationally. He has performed with Company XIV in their production Queen of Hearts. He has also had the pleasure of performing with The Metropolitan Opera’s Ballet Company in productions such as Rusulka, Samson et Dalila, Marnie, La Fille du Regiment, and Don Giovanni. He joined the Limón Dance Company in 2019.
Mariah Gravelin (she/her)
Born in Seoul, South Korea, Mariah grew up and began her dance training in Southeastern Connecticut under the direction of Gloria Govrin, where she began her Limón training with Libby Nye at the age of 11. She went on to receive a Bachelor of Fine Arts from the Alvin Ailey/Fordham University Program in May of 2018 where she performed works by Alvin Ailey, José Limón, Brice Mousset, Florian Lochner, and Kanji Segawa. Mariah joined the Limón Company as an Apprentice in January 2019, during which she performed and toured nationally with Limón, and was promoted to a full Company member position in the summer of 2019. Mariah has been a teaching artist for the Limón Institute and the Social Media Associate for the José Limón Dance Foundation since 2020. Apart from Limón, Mariah has guest performed with Frances Samson for choreographer Jacqueline Bulnes’ multicultural project ‘The Gravity Between’, is a member of Peter Stathas Dance, and a New York based freelance photographer when she is not dancing and performing @mariahgravelin
Carl Flink (he/him)
Artistic director of the award winning dance company Black Label Movement (BLaM) based in Minnesota, Carl and BLaM's awards & honors include two 2016 Upper Midwest Emmy Award nominations, the 2015 Twin Cities StarTribune Best of MN and the 2012 Twin Cities City Pages Best Choreographer and Artist of the Year lists, a 2014 MN Dance Community Sage Award, 2008 and 2012 McKnight Artist Fellowships for Choreography, 2010 and 2012 MN Ivey Awards, among others. 2020 marks BLaM's 15th year.
Featured in Dance Magazine's January 2014 issue, Flink’s dancemaking is recognized for its intense athleticism, daring, and humanistic themes. Commissioned by the 2014 American Dance Festival, other projects/commissions include: MADCO (St. Louis, MO), Bates Dance Festival (Lewiston, ME), TED, TEDMED, TEDx Brussels, The Guthrie Theater (Mpls, MN), VocalEssence (Mpls, MN), Theater Latté Da (Mpls, MN), the Chicago Humanities Festival, The MN Orchestra, Company C Contemporary Ballet (San Francisco, CA), Same Planet Different World (Chicago, IL), Urbanity Dance (Boston, MA) and dance programs, such as the University of Illinois Urbana-Champaign, University of Florida - Gainesville, University of Utah, Santa Fe College, and University of North Texas. The Performing Institute of Minnesota named BLM its inaugural dance company in residence for 2017 - 2018. He is also a regular conference adjudicator for the American College Dance Association.
He is also a sought-after choreographer for Theater, creating and directing the movement for the 2014 production of "The Crucible," the 2016 production of "The Parchman Hour: Songs & Stories of the ’61 Freedom Riders" and the 2020 production of "Twelfth Night" at Minnesota’s renown Guthrie Theater, as well as, award winning productions with Theatre Latte Da, The Jungle Theater, Minnesota History Theater, among others.
Flink's ongoing collaboration with biomedical engineer David Odde called The Moving Cell Project (MCP) has conducted research residencies at recognized research institutions such as the Marine Biological Laboratory, Woods Hole, MN and The National Centre for Biological Sciences, Bangalore, India. These residencies focused on MCP's ongoing development of its bodystorming research technique. Bodystorming is a rapid modeling system that uses choreographic principles and strategies. MCP has also generated 4 TED Talks, including the pioneering "A Modest Proposal: Dance v. Powerpoint" created with Science Magazine correspondent John Bohannon and featured on TED.com. MCP recently received funding from the National Cancer Institute to further explore bodystorming.
Carl Flink is the Director of the University of Minnesota Dance Program and the Nadine Jette Sween Professor of Dance. He has been with the University since 2005. Appearing in the June 2016 issue of Dance Teacher Magazine, Carl is a recipient of CLA's Motley Exemplary Teaching Award. He was the UMN Theatre Arts & Dance Department Chair from 2008 – 2014.
During the 1990s, he was a member of the Limón Dance Company, Creach/Koester Men Dancing, Janis Brenner & Dancers, among others, in New York City. He holds a J.D. from Stanford Law School, a University of MN Political Science and Women Studies B.A. summa cum laude and was a social justice attorney for Farmers’ Legal Action Group, Inc., St. Paul, MN from 2001-2004. He and BLaM Artistic Associate Emilie Plauche Flink also partner to raise their lives' masterworks: Willa, Freyja & Iris.